Remembering Erving Goffman
The Perilous Journey of the Self and the Salvation of Private Life:
From Dmitri Shalin's 'Interfacing Biography, Theory and History: The Case of
Having read and reflected on your excellent 'crypto-biography' of Erving
Goffman, I have reformulated my thoughts and recollections for use at EGA.
December 21, 2013
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This 'crypto-biolgraphy' of Erving Goffman recalled my visit to his home in the
north Berkeley hills, in 1967. The house was quite grand, in a lovely sylvan
location, with many rooms. I recall thinking he seemed lonely. Was there a wife?
I had no idea, was totally ignorant of Angelica's suicide three years earlier.
But I recall thinking there was something missing there, some enormous blank
space that it would not have been appropriate to mention. Erving was very
cordial, very polite, somewhat subdued, and as always, brilliant. He had a
talent for making another feel like he was the most important person in the
room, and giving the impression that he had all the time in the world for the
conversation at hand.
Since others interviewed for the Erving Goffman Archive have reported being
treated less politely or even dismissively, I feel obliged to inquire why I was
treated so well. As a Ford Foundation Fellow and highly recommended by Daniel
Bell from Columbia, apparently I was considered something of a prize by all the
Berkeley Sociology faculty. I wasn't aware of how conditional and time-bound
this high regard was, and rather naively took it as my due. Within the space of
the few years it took to earn a Ph D, my value on the academic job market had
plummeted, due to my being neither a person of color nor female. Attributing the
lack of such credentials to my parents, I accepted employment in applied research
and never regretted it. This subsequent personal history, though it unfolded
some years after meeting Erving Goffman, prompts some speculations on further
applications of his paradigm of impression management.
Impression management can have fateful consequences for success or failure in
love, work, or whatever goals one is interested in pursuing. As Erving Goffman
knew very well from his own experience and studies, people 'size you up' on the
basis of first impressions -- physical appearances, age, sex, ethnicity, dress,
class, mannerisms, and other clues to whether the person is 'one of us' or not.
His take on how the standard and non-standard demographic categories come into
play in everyday life remains a breathtakingly original examination of the
structure of common sense. Goffman pioneered a 'self-centered' methodology that
proved to be both innovative and risky as a scientific enterprise. As Shalin's
bigraphy makes clear, Goffman made abundant use of his own life-experiences.
Goffman's origins as a Canadian small-town Jew determined to excel in the higher
echelons of North American culture recall those of the novelist Saul Bellow,
another brilliant writer of social anthropology-cum-philosophy. Goffman's
ascent-by-marriage into the heights of WASP society provided rich material for
analyses of what was for him essentially an immigrant experience.
The early encounters with his wife-to-be remind me of the scene in 'Annie Hall'
where the Woody Allen character is portrayed as he thinks the Hall family see
him -- as an Orthodox-Jewish Yeshiva student with black hat and dreadlocks, a
creature from 'beyond the pale'. The young Goffman is evidently at pains to make
himself seem worthy -- not least of all to himself -- of the high-WASP connection.
At the same time, he cherishes his own authenticity, a value of the highest
order, sanctified by no less than Lionel Trilling, himself the first Jewish
member of the Columbia faculty, whose affected Anglophilia was well-known there.
From the Shetlands to the underworld to the corridors of academe, Goffman drew
intensively on his own experiences, willfully creating some when the research
need, as he saw it, arose. This latter practice of calling into being
circumstances likely to test the limits of acceptable conduct naturally irked
many of his colleagues and students, whose commitment to science did not extend
to their being turned into unwilling experimental subjects. This method of
filtering everything through his personal experience was essential to Goffman's
methodology. He always sought to experience what he wrote about. He never wanted
to write as a conventional academic, at arm's-length from the material; Only by
immersing himself in it could he find out what it was all about. He once told me
that when he first went to the Shetlands, he thought the women there looked like
seals. After six months there, he found them attractive. Then, he said, he knew
he was ready to start his research. So it is not hard to imagine that he could
have willed himself to become personally involved in whatever seemed
sociologically productive. This extraordinarily close inter-weaving of life and
work makes for a highly risky scientific enterprise. Goffman was sometimes not
above using his personal and professional prestige to settle scores or advance
his favored preferences and causes. It is precisely to guard against such
excesses that the scientific obligation to treat one's own preferences with
suspicion exists. Goffman's best work is rigorously scientific in this sense,
even if he did not use quantitative methods. The use of one's life-experiences
for research purposes is not itself inherently suspect, rather it is that the
risk of skewing the analysis is vastly increased.
As important as impression management is in democratic societies, it is even
more fateful in societies where you can be imprisoned or killed for the 'wrong'
attitudes. Although Goffman never traveled to the Soviet Union, his writings
apparently struck a responsive chord there, and later throughout the former
Soviet Empire. It's easy to see why: Everyone had to lead a double life, the
officially approved one, and the real life of family, friends, and intellectual
or artistic pursuits. For people in such an environment, impression management
is not merely a game or method of career advancement, it is a matter of
It would be interesting, though probably a career-ending move in the current
academic environment, to apply Goffman's paradigm to contemporary American
academic and cultural institutions. How do people reconcile their loyalty to
'progressive' ideals with the prevalence of warrantless and unconstitutional
domestic spying, mass surveillance and violation of privacy, continuing
unemployment, out-of-control debt and money-printing, selective enforcement of
laws and regulations, and continuation of preferences based on race and sex?
Like residents of the former Soviet Union, managing this prodigious feat of
cognitive dissonance requires that its practitioners adopt one 'face' for their
official and job-related dealings, while reserving another for the shrunken
sphere of privacy remaining to them. Had Erving Goffman lived long enough to
extend his studies of impression management to this group, we would have learned
even more about the ingenious survival tactics and strategies that evolve in
These intriguing gaps in a life-work that ended too early (at only 60 years of
age) do not detract from research that it must have taken great courage to
pursue, in the 'face' of the overwhelming dominance of political economy in
social science research. Not only was it difficult to obtain funding for the
micro-scale research that Goffman specialized in, it was also subject to
ridicule by those who regarded it as unscientific, or, when it attracted a
following, as faddish. With a wit and style comparable to Jane Austen, Henry
James, and Gertrude Stein, Erving Goffman gave us an extraordinarily insightful
look into how our most important social relationships -- the private lives we
share with our closest associates -- work. This is all the more important in an
age when the threats to personal privacy in America are greater than at any time
in its history. Future readers seeking to know what private life was really like
when it existed will do no better than to consult the writings of Erving
* The Erving Goffman Archives (EGA) is the web-based, open-source project that serves as a clearing house for those interested in the dramaturgical tradition in sociology and biographical methods of research. The EGA is located in the Intercyberlibrary of the UNLV Center of Democratic Culture, http://www.unlv.edu/centers/cdclv/archives/interactionism/index.html.
Postings on the website are divided into four partially overlapping sections: “Documents and Papers,” “Biographical Materials,” “Critical Assessments,” and “Comments and Dialogues.” For inquiries regarding the EGA projects, please contact Dr. Dmitri Shalin, firstname.lastname@example.org. When you cite the materials collected for the EGA, please use the following reference: Bios Sociologicus: The Erving Goffman Archives, ed. by Dmitri N. Shalin (UNLV: CDC Publications, 2009).