Cold
War/Hot Culture
America and Russian Nonconformist Art
Visual
Art Show
For the official Soviet propaganda, America has
always been an embodiment of ills plaguing capitalist society. For
many Russian artists, on the other hand, the United States has been
the source of profound fascination and ambivalence. Drawn to its
promise of freedom, Russian artists felt put off by its lifestyle
alien to Russian spirituality. Oddly enough, Russian nonconformist
artists learned a good deal from their official counterparts, from
the artists like Alexander Zhitomirsky, whose superb collages demonized
and glamorized America at the same time.
The present exhibition vividly communicates this
fascination with anti-American art in the nostalgic references to
the political icons of the bygone era. This appropriation of the
recent past was mediated by the new Western ideas which began to
make their way to Russia following the path-breaking 1959 U.S. Exhibition
in Moscow. American abstract expressionism and Minimalism were among
the key influences that had shaped the unofficial art scene in the
Soviet Union. The former was taken to be a symbol of unrestrained
freedom and the latter seen as an embodiment of nonideological pure
form.
In the 1970's, the cross between Soviet propaganda
art and critically appropriated Pop-Art produced a movement known
as Sots Art. Its followers played on the curious resemblance between
ubiquitous Soviet icons and American advertisement. Russian émigré
artists sought to render explicit the hidden parallels between Soviet
propaganda art and American consumerism with its relentless cheerfulness
and cliché-ridden language. This artistic gesture that preserves
the artist's position as an outsider offers Russian émigré
artists a perfect vantage point from which they can comment on alienation,
consumerism, and technology-obsessed society of today while retaining
their ironic distance and mixing their sarcasm with a hefty dosage
of nostalgia.
The visual art exhibit opens up with 26 collages
by Alexander Zhitomirsky, a student of Alexander Rodchenko, whose
Cold War era photo montages picturing America were a familiar sight
in the Soviet Union. Unofficial Russian artists used these collages
as an ironic offset in their own work. Zhitomirsky’s political
photography allows American audiences to sample Soviet propaganda
art and thus better understand the visual sources of countercultural
artistic movements such as Sots Art.
Participants
Yuri Albert
Vagrich Bakhchanyan
Farid Bogdalov
Grisha Bruskin
Mikhail Chernyshov
Peggy Jarrell Kaplan
Alexander Kosolapov
Leonid Lamm
Rostislav Lebedev
Sergei Mironenko
Komar & Melamid
Vladimir Paperny
Leonid Pinchevsky
Leonid Sokov
Oleg Vasiliev
Alexander Yulikov
Alexander Zhitomirsky
Web
Links
First Nevada Conference on Russian
Culture
Second Nevada Conference
on Russian Culture
Third Nevada Conference
on Russian Culture
Media Coverage of Art Show
Cold War Art Samples